• *Thinking Through Soil: Wastewater Agriculture in the Mezquital Valley*, softcover, 232 pages, 7.5 × 10 in., written by Montserrat Bonvehi Rosich and Seth Denizen, published by Harvard Design Press, Harvard University Graduate School of Design, 2025. Design assistance by Willis Kingery
  • Variable logo examples, Harvard University Graduate School of Design, 2022
  • End of year exhibition, Harvard University Graduate School of Design, 2024. Photo by Justin Knight
  • Commencement ceremony brochures, Harvard University Graduate School of Design, 2024
  • Business card, Harvard University Graduate School of Design, 2022
  • Room signage system using GSD Gothic, Harvard University Graduate School of Design, 2023. Typeface design by [Dinamo](https://abcdinamo.com/)
  • *Jacqueline Kiyomi Gork: Poems of Electronic Air*, ramp sign, Carpenter Center for the Visual Arts, Harvard University, 2024. Photo by Willis Kingery
  • *B. Ingrid Olson: History Mother, Little Sister* and *Candice Lin: Seeping, Rotting, Resting, Weeping*, postcards, Carpenter Center for the Visual Arts, Harvard University, 2022
  • *Jacqueline Kiyomi Gork: Poems of Electronic Air*, postcard, Carpenter Center for the Visual Arts, Harvard University, 2024
  • *Jacqueline Kiyomi Gork: Poems of Electronic Air*, exhibition signage, Carpenter Center for the Visual Arts, Harvard University, 2024
  • *Tony Cokes: If UR Reading This it’s 2 Late: Vol. 2*, gallery guide, Carpenter Center for the Visual Arts, Harvard University, 2020
  • GSD Gothic typesetting with identity grid system, Harvard University Graduate School of Design, 2022. Typeface design by [Dinamo](https://abcdinamo.com/)
  • Stationary system, Harvard University Graduate School of Design, 2022
  • Compliment card, Harvard University Graduate School of Design, 2022
  • *This Machine Creates Opacities: Robert Fulton, Renée Green, Pierre Huyghe, and Pope.L*, ramp sign, Carpenter Center for the Visual Arts, Harvard University, 2023
  • *This Machine Creates Opacities: Robert Fulton, Renée Green, Pierre Huyghe, and Pope.L*, postcards, Carpenter Center for the Visual Arts, Harvard University, 2023
  • Carpenter typeface, Carpenter Center for the Visual Arts, Harvard University, 2018
  • Carpenter Display typeface, Carpenter Center for the Visual Arts, Harvard University, 2019–2024
  • Public programs digital campaign, Carpenter Center for the Visual Arts, Harvard University, 2022
  • Buttons, Harvard University Graduate School of Design, 2023
  • Frances Loeb Library bookmarks, Harvard University Graduate School of Design, 2024. Design by Willis Kingery
  • GSD branded packing tape, Harvard University Graduate School of Design, 2023
  • *In Conversation, 2020–2021: Dialogues, with Artists, Curators, and Scholars*, softcover, 172 pages, 9 × 11.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • *In Conversation, 2020–2021: Dialogues, with Artists, Curators, and Scholars*, softcover, 172 pages, 9 × 11.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • *John Andrews: Architect of Uncommon Sense*, softcover, 506 pages, 6.75 × 8.125 in., edited by Paul Walker, published by Harvard Design Press, Harvard University Graduate School of Design, 2023. Design assistance and custom typeface by Willis Kingery
  • *John Andrews: Architect of Uncommon Sense*, softcover, 506 pages, 6.75 × 8.125 in., edited by Paul Walker, published by Harvard Design Press, Harvard University Graduate School of Design, 2023. Design assistance and custom typeface by Willis Kingery
  • *John Andrews: Architect of Uncommon Sense*, gallery view, Harvard University Graduate School of Design, 2022. Photo by Justin Knight
  • *John Andrews: Architect of Uncommon Sense*, gallery view, Harvard University Graduate School of Design, 2022. Photos by Justin Knight
  • *B. Ingrid Olson: History Mother, Little Sister*, softcover, 155 pages, 8.25 × 10.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • *B. Ingrid Olson: History Mother, Little Sister*, softcover, 155 pages, 8.25 × 10.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • Harvard University Graduate School of Design, end of year exhibition, studios & seminars, title wall, 2023
  • Harvard University Graduate School of Design, end of year exhibition, prize winners / commencement, title walls, 2023
  • *In Conversation* series, softcover, 4.25 × 5.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2020–22
  • *In Conversation* series, softcover, 4.25 × 5.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2020–22
  • *Pacing: Renée Green*, softcover with jacket, 300 pages, 9 × 11.75 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, 2020
  • *Pacing: Renée Green*, softcover with jacket, 300 pages, 9 × 11.75 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, 2020
  • *Interrogative Design: Selected Works of Krzysztof Wodiczko*, gallery view, Harvard University Graduate School of Design, 2021
  • *Interrogative Design: Selected Works of Krzysztof Wodiczko*, gallery view, Harvard University Graduate School of Design, 2021
  • *Candice Lin: Seeping, Rotting, Resting, Weeping*, softcover with punch binding, 168 pages, 9 × 12 in., edited by Dan Byers and Victoria Sung, published by Carpenter Center for the Visual Arts and Walker Art Center, 2021
  • Poster Kiosk, Carpenter Center for the Visual Arts, Harvard University, 2021
  • *Ericka Beckman: Double Reverse*, softcover with jacket, 104 pages, 8 × 10 in., edited by Henriette Huldisch, published by MIT List Visual Arts Center, 2020
  • *Architecture Itself: and Other Postmodernist Myths*, exhibition banner, Canadian Center for Architecture, Montreal, 2018
  • *Landlord Colors: On Art, Economy, and Materiality*, hardcover, 268 pages, 7.5 × 10.8 in., edited by Laura Mott, published by Cranbrook Art Museum, 2019
  • *Fox* typeface, detail from *The Quick and the Dead*, hardcover, 352 pages, 7 × 9.5 in., edited by Peter Eleey, published by the Walker Art Center, 2009
  • *Introducing Tony Conrad: A Retrospective*, title wall, Carpenter Center for the Visual Arts, Harvard University, 2018
  • *Tony Cokes: If UR Reading This it’s 2 Late: Vol. 2*, postcard, Carpenter Center for the Visual Arts, Harvard University, 2020
  • *The Artist’s Museum*, hardcover, 256 pages, 8.5 × 11.5 in., edited by Dan Byers, published by the Institute of Contemporary Art/Boston, 2016
  • 2020 Talks, website design and programming, 2020
  • *Jeff Koons: A Retrospective*, hardover with jacket, 288 pages, 9.6 × 12.3 in., edited by Scott Rothkopf, published by the Whitney Museum of American Art, 2014
  • PPI / Pounds Per Image / Pratt Photography Imprint, identity, 2019
  • *PPI #3*, softcover, 32 pages, 6.75 × 9.75 in., edited by Shannon Ebner, published by Pratt Photography Imprint and Dancing Foxes, 2021
  • *PPI #2*, softcover with copper metallic ink, 32 pages, 6.75 × 9.75 in., edited by Shannon Ebner, published by Pratt Photography Imprint and Dancing Foxes, 2020
  • *PPI #1*, softcover with debossed image, 32 pages, 6.75 × 9.75 in., edited by Shannon Ebner, published by Pratt Photography Imprint and Dancing Foxes, 2019
  • *Anna Oppermann: Drawings*, softcover, 112 pages, 8.5 × 13.5 in., edited by Dan Byers, published by Inventory Press, 2020
  • *2013 Carnegie International*, title wall and signage, Carnegie Museum of Art, Pittsburgh, 2013
  • *Maurizio Cattelan: All*, as seen in the Netflix series *Master of None*, season 2 episode 1
  • *Maurizio Cattelan: All*, hardcover, 255 pages, 7 × 9.8 in., edited by Nancy Spector, published by Guggenheim Museum, New York, 2011
  • *Walker Expanded*, identity, Walker Art Center, Minneapolis, 2005
  • Icon treatment, *SPAN* 2015, Google Material Design, New York, 2015
  • *SPAN*, softcover with heat embossed sleeve, 172 pages, 5.75 × 8.25 in., edited by Rob Giampietro and Amber Bravo, published by Google, 2015
  • *Knight’s Move*, softcover, 164 pages, 4.8 × 7.6 in., published by SculptureCenter, New York, 2010
  • Receiving Doors, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Agnes Denes: Absolutes and Intermediates*, hardcover with slipcase, 384 pages, 9.5 × 12.2 in., edited by Emma Enderby, published by The Shed, 2019
  • *Agnes Denes: Absolutes and Intermediates*, hardcover with slipcase, 384 pages, 9.5 × 12.2 in., edited by Emma Enderby, published by The Shed, 2019
  • *Architecture and Its Orbits*, poster, 20.25 × 20.25 in., MIT Department of Architecture, 2015
  • _Dia Fall Night_, invitation to Dia Art Foundation’s Fall Gala, 2012
  • *Architecture Itself: and Other Postmodernist Myths*, title wall, Canadian Center for Architecture, Montreal, 2018
  • *Lara Favaretto Ageing Process*, softcover, 344 pages, 6.6 × 9.3 inches, edited by Lara Favaretto, published by MAXXI Museum, Rome, 2016
  • Business Cards, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Boris Groys, Particular Cases*, softcover, 296 pages, 5.2 × 8 in., published by Sternberg Press, Berlin, 2017
  • *Museum Memories*, softcover, 36 pages, 4.25 × 11 in., edited by Claire Barliant and Katarina Burin, self published, 2020
  • *Museum Memories*, softcover, 36 pages, 4.25 × 11 in., edited by Claire Barliant and Katarina Burin, self published, 2020
  • *Gabriel Kuri: Nobody Needs to Know the Price of your Saab*, softcover, 130 pages, 7.2 × 10.5 in., edited by Claudia Schmuckli, published by the Blaffer Art Museum, 2011
  • *Tony Cokes: If UR Reading This it’s 2 Late: Vol. 2*, title wall, Carpenter Center for the Visual Arts, Harvard University, 2020
  • *Danh Vo: Take My Breath Away*, hardcover with jacket, 348 pages, 9 × 12 in., edited by Katherine Brinson, published by Guggenheim Museum, New York, 2018
  • *Danh Vo: Take My Breath Away*, hardcover with jacket, 348 pages, 9 × 12 in., edited by Katherine Brinson, published by Guggenheim Museum, New York, 2018
  • 1-2-3-4-5, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Paul Chan: New New Testament*, hardcover, 1,082 pages, 8 × 11.8 in., edited by Karen Marta, published by Schaulager, Basel, 2014
  • *Paul Chan: New New Testament*, hardcover, 1,082 pages, 8 × 11.8 in., edited by Karen Marta, published by Schaulager, Basel, 2014
  • 2020 Talks, website design and programming, 2020
  • *2013 Carnegie International Identity Guide*, softcover, 18 pages, 11 × 17 in., self published, 2013
  • *Architecture Itself: and Other Postmodernist Myths*, posters, Canadian Center for Architecture, Montreal, 2018
  • Exhibition Directionals, *2013 Carnegie International*, Carnegie Museum of Art, Pittsburgh, 2013
  • 2020 Talks Posters: Fertility, Redress, Channeling, Friendship
  • *In the Holocene*, softcover with jacket, 380 pages, 5.1 × 7.8 in., edited by Joao Ribas, published by Sternberg Press, Berlin, 2013
  • Tote Bags, Carpenter Center for the Visual Arts, Harvard University, 2018–19
  • efa Project Space, _A Wicked Problem_, poster, 8.5 × 11 in., newsprint, 2014; _As We Were Saying_, broadsheet, 9 × 12 in., newsprint, 2015
  • *Liz Magor: Blowout*, gallery guide, Carpenter Center for the Visual Arts, Harvard Unviersity, 2019
  • *The Everywhere Studio*, hardcover, 288 pages, 9.06 × 11.56 in., edited by Alex Gartenfeld, published by ICA, Miami, 2018
  • *The Everywhere Studio*, hardcover, 288 pages, 9.06 × 11.56 in., edited by Alex Gartenfeld, published by ICA, Miami, 2018
  • *Jonathan Berger: An Introduction to Nameless Love*, title wall, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Architecture Itself: and Other Postmodernist Myths*, gallery views, Canadian Center for Architecture, Montreal, 2018
  • Fox Typeface
  • Fox Typeface, alternative characters
  • *2013 Carnegie International Identity Guide*, softcover, 18 pages, 11 × 17 in., self published, 2013
  • *September 11*, softcover, 248 pages, 9.6 × 13.2 in., edited by Peter Eleey, published by MoMA PS1, 2011
  • *Jonathan Berger: An Introduction to Nameless Love*, postcard, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Geoffrey Farmer*, softcover, 64 pages, 7.75 × 10.75 in., edited by Dan Byers, published by ICA/Boston, 2016
  • _Yoko Ono: One Woman Show, 1960–1971_, softcover with slipcase, 260 pages, 8.5 × 11 in., edited by Christoph Cherix, published by MoMA, 2014
  • *The Quick and the Dead*, hardcover, 352 pages, 7 × 9.5 in., edited by Peter Eleey, published by the Walker Art Center, 2009
  • *Thinking Through Soil: Wastewater Agriculture in the Mezquital Valley*, softcover, 232 pages, 7.5 × 10 in., written by Montserrat Bonvehi Rosich and Seth Denizen, published by Harvard Design Press, Harvard University Graduate School of Design, 2025. Design assistance by Willis Kingery
  • Variable logo examples, Harvard University Graduate School of Design, 2022
  • End of year exhibition, Harvard University Graduate School of Design, 2024. Photo by Justin Knight
  • Commencement ceremony brochures, Harvard University Graduate School of Design, 2024
  • Business card, Harvard University Graduate School of Design, 2022
  • Room signage system using GSD Gothic, Harvard University Graduate School of Design, 2023. Typeface design by [Dinamo](https://abcdinamo.com/)
  • *Jacqueline Kiyomi Gork: Poems of Electronic Air*, ramp sign, Carpenter Center for the Visual Arts, Harvard University, 2024. Photo by Willis Kingery
  • *B. Ingrid Olson: History Mother, Little Sister* and *Candice Lin: Seeping, Rotting, Resting, Weeping*, postcards, Carpenter Center for the Visual Arts, Harvard University, 2022
  • *Jacqueline Kiyomi Gork: Poems of Electronic Air*, postcard, Carpenter Center for the Visual Arts, Harvard University, 2024
  • *Jacqueline Kiyomi Gork: Poems of Electronic Air*, exhibition signage, Carpenter Center for the Visual Arts, Harvard University, 2024
  • *Tony Cokes: If UR Reading This it’s 2 Late: Vol. 2*, gallery guide, Carpenter Center for the Visual Arts, Harvard University, 2020
  • GSD Gothic typesetting with identity grid system, Harvard University Graduate School of Design, 2022. Typeface design by [Dinamo](https://abcdinamo.com/)
  • Stationary system, Harvard University Graduate School of Design, 2022
  • Compliment card, Harvard University Graduate School of Design, 2022
  • *This Machine Creates Opacities: Robert Fulton, Renée Green, Pierre Huyghe, and Pope.L*, ramp sign, Carpenter Center for the Visual Arts, Harvard University, 2023
  • *This Machine Creates Opacities: Robert Fulton, Renée Green, Pierre Huyghe, and Pope.L*, postcards, Carpenter Center for the Visual Arts, Harvard University, 2023
  • Carpenter typeface, Carpenter Center for the Visual Arts, Harvard University, 2018
  • Carpenter Display typeface, Carpenter Center for the Visual Arts, Harvard University, 2019–2024
  • Public programs digital campaign, Carpenter Center for the Visual Arts, Harvard University, 2022
  • Buttons, Harvard University Graduate School of Design, 2023
  • Frances Loeb Library bookmarks, Harvard University Graduate School of Design, 2024. Design by Willis Kingery
  • GSD branded packing tape, Harvard University Graduate School of Design, 2023
  • *In Conversation, 2020–2021: Dialogues, with Artists, Curators, and Scholars*, softcover, 172 pages, 9 × 11.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • *In Conversation, 2020–2021: Dialogues, with Artists, Curators, and Scholars*, softcover, 172 pages, 9 × 11.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • *John Andrews: Architect of Uncommon Sense*, softcover, 506 pages, 6.75 × 8.125 in., edited by Paul Walker, published by Harvard Design Press, Harvard University Graduate School of Design, 2023. Design assistance and custom typeface by Willis Kingery
  • *John Andrews: Architect of Uncommon Sense*, softcover, 506 pages, 6.75 × 8.125 in., edited by Paul Walker, published by Harvard Design Press, Harvard University Graduate School of Design, 2023. Design assistance and custom typeface by Willis Kingery
  • *John Andrews: Architect of Uncommon Sense*, gallery view, Harvard University Graduate School of Design, 2022. Photo by Justin Knight
  • *John Andrews: Architect of Uncommon Sense*, gallery view, Harvard University Graduate School of Design, 2022. Photos by Justin Knight
  • *B. Ingrid Olson: History Mother, Little Sister*, softcover, 155 pages, 8.25 × 10.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • *B. Ingrid Olson: History Mother, Little Sister*, softcover, 155 pages, 8.25 × 10.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • Harvard University Graduate School of Design, end of year exhibition, studios & seminars, title wall, 2023
  • Harvard University Graduate School of Design, end of year exhibition, prize winners / commencement, title walls, 2023
  • *In Conversation* series, softcover, 4.25 × 5.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2020–22
  • *In Conversation* series, softcover, 4.25 × 5.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2020–22
  • *Pacing: Renée Green*, softcover with jacket, 300 pages, 9 × 11.75 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, 2020
  • *Pacing: Renée Green*, softcover with jacket, 300 pages, 9 × 11.75 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, 2020
  • *Interrogative Design: Selected Works of Krzysztof Wodiczko*, gallery view, Harvard University Graduate School of Design, 2021
  • *Interrogative Design: Selected Works of Krzysztof Wodiczko*, gallery view, Harvard University Graduate School of Design, 2021
  • *Candice Lin: Seeping, Rotting, Resting, Weeping*, softcover with punch binding, 168 pages, 9 × 12 in., edited by Dan Byers and Victoria Sung, published by Carpenter Center for the Visual Arts and Walker Art Center, 2021
  • Poster Kiosk, Carpenter Center for the Visual Arts, Harvard University, 2021
  • *Ericka Beckman: Double Reverse*, softcover with jacket, 104 pages, 8 × 10 in., edited by Henriette Huldisch, published by MIT List Visual Arts Center, 2020
  • *Architecture Itself: and Other Postmodernist Myths*, exhibition banner, Canadian Center for Architecture, Montreal, 2018
  • *Landlord Colors: On Art, Economy, and Materiality*, hardcover, 268 pages, 7.5 × 10.8 in., edited by Laura Mott, published by Cranbrook Art Museum, 2019
  • *Fox* typeface, detail from *The Quick and the Dead*, hardcover, 352 pages, 7 × 9.5 in., edited by Peter Eleey, published by the Walker Art Center, 2009
  • *Introducing Tony Conrad: A Retrospective*, title wall, Carpenter Center for the Visual Arts, Harvard University, 2018
  • *Tony Cokes: If UR Reading This it’s 2 Late: Vol. 2*, postcard, Carpenter Center for the Visual Arts, Harvard University, 2020
  • *The Artist’s Museum*, hardcover, 256 pages, 8.5 × 11.5 in., edited by Dan Byers, published by the Institute of Contemporary Art/Boston, 2016
  • 2020 Talks, website design and programming, 2020
  • *Jeff Koons: A Retrospective*, hardover with jacket, 288 pages, 9.6 × 12.3 in., edited by Scott Rothkopf, published by the Whitney Museum of American Art, 2014
  • PPI / Pounds Per Image / Pratt Photography Imprint, identity, 2019
  • *PPI #3*, softcover, 32 pages, 6.75 × 9.75 in., edited by Shannon Ebner, published by Pratt Photography Imprint and Dancing Foxes, 2021
  • *PPI #2*, softcover with copper metallic ink, 32 pages, 6.75 × 9.75 in., edited by Shannon Ebner, published by Pratt Photography Imprint and Dancing Foxes, 2020
  • *PPI #1*, softcover with debossed image, 32 pages, 6.75 × 9.75 in., edited by Shannon Ebner, published by Pratt Photography Imprint and Dancing Foxes, 2019
  • *Anna Oppermann: Drawings*, softcover, 112 pages, 8.5 × 13.5 in., edited by Dan Byers, published by Inventory Press, 2020
  • *2013 Carnegie International*, title wall and signage, Carnegie Museum of Art, Pittsburgh, 2013
  • *Maurizio Cattelan: All*, as seen in the Netflix series *Master of None*, season 2 episode 1
  • *Maurizio Cattelan: All*, hardcover, 255 pages, 7 × 9.8 in., edited by Nancy Spector, published by Guggenheim Museum, New York, 2011
  • *Walker Expanded*, identity, Walker Art Center, Minneapolis, 2005
  • Icon treatment, *SPAN* 2015, Google Material Design, New York, 2015
  • *SPAN*, softcover with heat embossed sleeve, 172 pages, 5.75 × 8.25 in., edited by Rob Giampietro and Amber Bravo, published by Google, 2015
  • *Knight’s Move*, softcover, 164 pages, 4.8 × 7.6 in., published by SculptureCenter, New York, 2010
  • Receiving Doors, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Agnes Denes: Absolutes and Intermediates*, hardcover with slipcase, 384 pages, 9.5 × 12.2 in., edited by Emma Enderby, published by The Shed, 2019
  • *Agnes Denes: Absolutes and Intermediates*, hardcover with slipcase, 384 pages, 9.5 × 12.2 in., edited by Emma Enderby, published by The Shed, 2019
  • *Architecture and Its Orbits*, poster, 20.25 × 20.25 in., MIT Department of Architecture, 2015
  • _Dia Fall Night_, invitation to Dia Art Foundation’s Fall Gala, 2012
  • *Architecture Itself: and Other Postmodernist Myths*, title wall, Canadian Center for Architecture, Montreal, 2018
  • *Lara Favaretto Ageing Process*, softcover, 344 pages, 6.6 × 9.3 inches, edited by Lara Favaretto, published by MAXXI Museum, Rome, 2016
  • Business Cards, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Boris Groys, Particular Cases*, softcover, 296 pages, 5.2 × 8 in., published by Sternberg Press, Berlin, 2017
  • *Museum Memories*, softcover, 36 pages, 4.25 × 11 in., edited by Claire Barliant and Katarina Burin, self published, 2020
  • *Museum Memories*, softcover, 36 pages, 4.25 × 11 in., edited by Claire Barliant and Katarina Burin, self published, 2020
  • *Gabriel Kuri: Nobody Needs to Know the Price of your Saab*, softcover, 130 pages, 7.2 × 10.5 in., edited by Claudia Schmuckli, published by the Blaffer Art Museum, 2011
  • *Tony Cokes: If UR Reading This it’s 2 Late: Vol. 2*, title wall, Carpenter Center for the Visual Arts, Harvard University, 2020
  • *Danh Vo: Take My Breath Away*, hardcover with jacket, 348 pages, 9 × 12 in., edited by Katherine Brinson, published by Guggenheim Museum, New York, 2018
  • *Danh Vo: Take My Breath Away*, hardcover with jacket, 348 pages, 9 × 12 in., edited by Katherine Brinson, published by Guggenheim Museum, New York, 2018
  • 1-2-3-4-5, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Paul Chan: New New Testament*, hardcover, 1,082 pages, 8 × 11.8 in., edited by Karen Marta, published by Schaulager, Basel, 2014
  • *Paul Chan: New New Testament*, hardcover, 1,082 pages, 8 × 11.8 in., edited by Karen Marta, published by Schaulager, Basel, 2014
  • 2020 Talks, website design and programming, 2020
  • *2013 Carnegie International Identity Guide*, softcover, 18 pages, 11 × 17 in., self published, 2013
  • *Architecture Itself: and Other Postmodernist Myths*, posters, Canadian Center for Architecture, Montreal, 2018
  • Exhibition Directionals, *2013 Carnegie International*, Carnegie Museum of Art, Pittsburgh, 2013
  • 2020 Talks Posters: Fertility, Redress, Channeling, Friendship
  • *In the Holocene*, softcover with jacket, 380 pages, 5.1 × 7.8 in., edited by Joao Ribas, published by Sternberg Press, Berlin, 2013
  • Tote Bags, Carpenter Center for the Visual Arts, Harvard University, 2018–19
  • efa Project Space, _A Wicked Problem_, poster, 8.5 × 11 in., newsprint, 2014; _As We Were Saying_, broadsheet, 9 × 12 in., newsprint, 2015
  • *Liz Magor: Blowout*, gallery guide, Carpenter Center for the Visual Arts, Harvard Unviersity, 2019
  • *The Everywhere Studio*, hardcover, 288 pages, 9.06 × 11.56 in., edited by Alex Gartenfeld, published by ICA, Miami, 2018
  • *The Everywhere Studio*, hardcover, 288 pages, 9.06 × 11.56 in., edited by Alex Gartenfeld, published by ICA, Miami, 2018
  • *Jonathan Berger: An Introduction to Nameless Love*, title wall, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Architecture Itself: and Other Postmodernist Myths*, gallery views, Canadian Center for Architecture, Montreal, 2018
  • Fox Typeface
  • Fox Typeface, alternative characters
  • *2013 Carnegie International Identity Guide*, softcover, 18 pages, 11 × 17 in., self published, 2013
  • *September 11*, softcover, 248 pages, 9.6 × 13.2 in., edited by Peter Eleey, published by MoMA PS1, 2011
  • *Jonathan Berger: An Introduction to Nameless Love*, postcard, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Geoffrey Farmer*, softcover, 64 pages, 7.75 × 10.75 in., edited by Dan Byers, published by ICA/Boston, 2016
  • _Yoko Ono: One Woman Show, 1960–1971_, softcover with slipcase, 260 pages, 8.5 × 11 in., edited by Christoph Cherix, published by MoMA, 2014
  • *The Quick and the Dead*, hardcover, 352 pages, 7 × 9.5 in., edited by Peter Eleey, published by the Walker Art Center, 2009
  • *Thinking Through Soil: Wastewater Agriculture in the Mezquital Valley*, softcover, 232 pages, 7.5 × 10 in., written by Montserrat Bonvehi Rosich and Seth Denizen, published by Harvard Design Press, Harvard University Graduate School of Design, 2025. Design assistance by Willis Kingery
  • Variable logo examples, Harvard University Graduate School of Design, 2022
  • End of year exhibition, Harvard University Graduate School of Design, 2024. Photo by Justin Knight
  • Commencement ceremony brochures, Harvard University Graduate School of Design, 2024
  • Business card, Harvard University Graduate School of Design, 2022
  • Room signage system using GSD Gothic, Harvard University Graduate School of Design, 2023. Typeface design by [Dinamo](https://abcdinamo.com/)
  • *Jacqueline Kiyomi Gork: Poems of Electronic Air*, ramp sign, Carpenter Center for the Visual Arts, Harvard University, 2024. Photo by Willis Kingery
  • *B. Ingrid Olson: History Mother, Little Sister* and *Candice Lin: Seeping, Rotting, Resting, Weeping*, postcards, Carpenter Center for the Visual Arts, Harvard University, 2022
  • *Jacqueline Kiyomi Gork: Poems of Electronic Air*, postcard, Carpenter Center for the Visual Arts, Harvard University, 2024
  • *Jacqueline Kiyomi Gork: Poems of Electronic Air*, exhibition signage, Carpenter Center for the Visual Arts, Harvard University, 2024
  • *Tony Cokes: If UR Reading This it’s 2 Late: Vol. 2*, gallery guide, Carpenter Center for the Visual Arts, Harvard University, 2020
  • GSD Gothic typesetting with identity grid system, Harvard University Graduate School of Design, 2022. Typeface design by [Dinamo](https://abcdinamo.com/)
  • Stationary system, Harvard University Graduate School of Design, 2022
  • Compliment card, Harvard University Graduate School of Design, 2022
  • *This Machine Creates Opacities: Robert Fulton, Renée Green, Pierre Huyghe, and Pope.L*, ramp sign, Carpenter Center for the Visual Arts, Harvard University, 2023
  • *This Machine Creates Opacities: Robert Fulton, Renée Green, Pierre Huyghe, and Pope.L*, postcards, Carpenter Center for the Visual Arts, Harvard University, 2023
  • Carpenter typeface, Carpenter Center for the Visual Arts, Harvard University, 2018
  • Carpenter Display typeface, Carpenter Center for the Visual Arts, Harvard University, 2019–2024
  • Public programs digital campaign, Carpenter Center for the Visual Arts, Harvard University, 2022
  • Buttons, Harvard University Graduate School of Design, 2023
  • Frances Loeb Library bookmarks, Harvard University Graduate School of Design, 2024. Design by Willis Kingery
  • GSD branded packing tape, Harvard University Graduate School of Design, 2023
  • *In Conversation, 2020–2021: Dialogues, with Artists, Curators, and Scholars*, softcover, 172 pages, 9 × 11.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • *In Conversation, 2020–2021: Dialogues, with Artists, Curators, and Scholars*, softcover, 172 pages, 9 × 11.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • *John Andrews: Architect of Uncommon Sense*, softcover, 506 pages, 6.75 × 8.125 in., edited by Paul Walker, published by Harvard Design Press, Harvard University Graduate School of Design, 2023. Design assistance and custom typeface by Willis Kingery
  • *John Andrews: Architect of Uncommon Sense*, softcover, 506 pages, 6.75 × 8.125 in., edited by Paul Walker, published by Harvard Design Press, Harvard University Graduate School of Design, 2023. Design assistance and custom typeface by Willis Kingery
  • *John Andrews: Architect of Uncommon Sense*, gallery view, Harvard University Graduate School of Design, 2022. Photo by Justin Knight
  • *John Andrews: Architect of Uncommon Sense*, gallery view, Harvard University Graduate School of Design, 2022. Photos by Justin Knight
  • *B. Ingrid Olson: History Mother, Little Sister*, softcover, 155 pages, 8.25 × 10.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • *B. Ingrid Olson: History Mother, Little Sister*, softcover, 155 pages, 8.25 × 10.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • Harvard University Graduate School of Design, end of year exhibition, studios & seminars, title wall, 2023
  • Harvard University Graduate School of Design, end of year exhibition, prize winners / commencement, title walls, 2023
  • *In Conversation* series, softcover, 4.25 × 5.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2020–22
  • *In Conversation* series, softcover, 4.25 × 5.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2020–22
  • *Pacing: Renée Green*, softcover with jacket, 300 pages, 9 × 11.75 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, 2020
  • *Pacing: Renée Green*, softcover with jacket, 300 pages, 9 × 11.75 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, 2020
  • *Interrogative Design: Selected Works of Krzysztof Wodiczko*, gallery view, Harvard University Graduate School of Design, 2021
  • *Interrogative Design: Selected Works of Krzysztof Wodiczko*, gallery view, Harvard University Graduate School of Design, 2021
  • *Candice Lin: Seeping, Rotting, Resting, Weeping*, softcover with punch binding, 168 pages, 9 × 12 in., edited by Dan Byers and Victoria Sung, published by Carpenter Center for the Visual Arts and Walker Art Center, 2021
  • Poster Kiosk, Carpenter Center for the Visual Arts, Harvard University, 2021
  • *Ericka Beckman: Double Reverse*, softcover with jacket, 104 pages, 8 × 10 in., edited by Henriette Huldisch, published by MIT List Visual Arts Center, 2020
  • *Architecture Itself: and Other Postmodernist Myths*, exhibition banner, Canadian Center for Architecture, Montreal, 2018
  • *Landlord Colors: On Art, Economy, and Materiality*, hardcover, 268 pages, 7.5 × 10.8 in., edited by Laura Mott, published by Cranbrook Art Museum, 2019
  • *Fox* typeface, detail from *The Quick and the Dead*, hardcover, 352 pages, 7 × 9.5 in., edited by Peter Eleey, published by the Walker Art Center, 2009
  • *Introducing Tony Conrad: A Retrospective*, title wall, Carpenter Center for the Visual Arts, Harvard University, 2018
  • *Tony Cokes: If UR Reading This it’s 2 Late: Vol. 2*, postcard, Carpenter Center for the Visual Arts, Harvard University, 2020
  • *The Artist’s Museum*, hardcover, 256 pages, 8.5 × 11.5 in., edited by Dan Byers, published by the Institute of Contemporary Art/Boston, 2016
  • 2020 Talks, website design and programming, 2020
  • *Jeff Koons: A Retrospective*, hardover with jacket, 288 pages, 9.6 × 12.3 in., edited by Scott Rothkopf, published by the Whitney Museum of American Art, 2014
  • PPI / Pounds Per Image / Pratt Photography Imprint, identity, 2019
  • *PPI #3*, softcover, 32 pages, 6.75 × 9.75 in., edited by Shannon Ebner, published by Pratt Photography Imprint and Dancing Foxes, 2021
  • *PPI #2*, softcover with copper metallic ink, 32 pages, 6.75 × 9.75 in., edited by Shannon Ebner, published by Pratt Photography Imprint and Dancing Foxes, 2020
  • *PPI #1*, softcover with debossed image, 32 pages, 6.75 × 9.75 in., edited by Shannon Ebner, published by Pratt Photography Imprint and Dancing Foxes, 2019
  • *Anna Oppermann: Drawings*, softcover, 112 pages, 8.5 × 13.5 in., edited by Dan Byers, published by Inventory Press, 2020
  • *2013 Carnegie International*, title wall and signage, Carnegie Museum of Art, Pittsburgh, 2013
  • *Maurizio Cattelan: All*, as seen in the Netflix series *Master of None*, season 2 episode 1
  • *Maurizio Cattelan: All*, hardcover, 255 pages, 7 × 9.8 in., edited by Nancy Spector, published by Guggenheim Museum, New York, 2011
  • *Walker Expanded*, identity, Walker Art Center, Minneapolis, 2005
  • Icon treatment, *SPAN* 2015, Google Material Design, New York, 2015
  • *SPAN*, softcover with heat embossed sleeve, 172 pages, 5.75 × 8.25 in., edited by Rob Giampietro and Amber Bravo, published by Google, 2015
  • *Knight’s Move*, softcover, 164 pages, 4.8 × 7.6 in., published by SculptureCenter, New York, 2010
  • Receiving Doors, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Agnes Denes: Absolutes and Intermediates*, hardcover with slipcase, 384 pages, 9.5 × 12.2 in., edited by Emma Enderby, published by The Shed, 2019
  • *Agnes Denes: Absolutes and Intermediates*, hardcover with slipcase, 384 pages, 9.5 × 12.2 in., edited by Emma Enderby, published by The Shed, 2019
  • *Architecture and Its Orbits*, poster, 20.25 × 20.25 in., MIT Department of Architecture, 2015
  • _Dia Fall Night_, invitation to Dia Art Foundation’s Fall Gala, 2012
  • *Architecture Itself: and Other Postmodernist Myths*, title wall, Canadian Center for Architecture, Montreal, 2018
  • *Lara Favaretto Ageing Process*, softcover, 344 pages, 6.6 × 9.3 inches, edited by Lara Favaretto, published by MAXXI Museum, Rome, 2016
  • Business Cards, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Boris Groys, Particular Cases*, softcover, 296 pages, 5.2 × 8 in., published by Sternberg Press, Berlin, 2017
  • *Museum Memories*, softcover, 36 pages, 4.25 × 11 in., edited by Claire Barliant and Katarina Burin, self published, 2020
  • *Museum Memories*, softcover, 36 pages, 4.25 × 11 in., edited by Claire Barliant and Katarina Burin, self published, 2020
  • *Gabriel Kuri: Nobody Needs to Know the Price of your Saab*, softcover, 130 pages, 7.2 × 10.5 in., edited by Claudia Schmuckli, published by the Blaffer Art Museum, 2011
  • *Tony Cokes: If UR Reading This it’s 2 Late: Vol. 2*, title wall, Carpenter Center for the Visual Arts, Harvard University, 2020
  • *Danh Vo: Take My Breath Away*, hardcover with jacket, 348 pages, 9 × 12 in., edited by Katherine Brinson, published by Guggenheim Museum, New York, 2018
  • *Danh Vo: Take My Breath Away*, hardcover with jacket, 348 pages, 9 × 12 in., edited by Katherine Brinson, published by Guggenheim Museum, New York, 2018
  • 1-2-3-4-5, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Paul Chan: New New Testament*, hardcover, 1,082 pages, 8 × 11.8 in., edited by Karen Marta, published by Schaulager, Basel, 2014
  • *Paul Chan: New New Testament*, hardcover, 1,082 pages, 8 × 11.8 in., edited by Karen Marta, published by Schaulager, Basel, 2014
  • 2020 Talks, website design and programming, 2020
  • *2013 Carnegie International Identity Guide*, softcover, 18 pages, 11 × 17 in., self published, 2013
  • *Architecture Itself: and Other Postmodernist Myths*, posters, Canadian Center for Architecture, Montreal, 2018
  • Exhibition Directionals, *2013 Carnegie International*, Carnegie Museum of Art, Pittsburgh, 2013
  • 2020 Talks Posters: Fertility, Redress, Channeling, Friendship
  • *In the Holocene*, softcover with jacket, 380 pages, 5.1 × 7.8 in., edited by Joao Ribas, published by Sternberg Press, Berlin, 2013
  • Tote Bags, Carpenter Center for the Visual Arts, Harvard University, 2018–19
  • efa Project Space, _A Wicked Problem_, poster, 8.5 × 11 in., newsprint, 2014; _As We Were Saying_, broadsheet, 9 × 12 in., newsprint, 2015
  • *Liz Magor: Blowout*, gallery guide, Carpenter Center for the Visual Arts, Harvard Unviersity, 2019
  • *The Everywhere Studio*, hardcover, 288 pages, 9.06 × 11.56 in., edited by Alex Gartenfeld, published by ICA, Miami, 2018
  • *The Everywhere Studio*, hardcover, 288 pages, 9.06 × 11.56 in., edited by Alex Gartenfeld, published by ICA, Miami, 2018
  • *Jonathan Berger: An Introduction to Nameless Love*, title wall, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Architecture Itself: and Other Postmodernist Myths*, gallery views, Canadian Center for Architecture, Montreal, 2018
  • Fox Typeface
  • Fox Typeface, alternative characters
  • *2013 Carnegie International Identity Guide*, softcover, 18 pages, 11 × 17 in., self published, 2013
  • *September 11*, softcover, 248 pages, 9.6 × 13.2 in., edited by Peter Eleey, published by MoMA PS1, 2011
  • *Jonathan Berger: An Introduction to Nameless Love*, postcard, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Geoffrey Farmer*, softcover, 64 pages, 7.75 × 10.75 in., edited by Dan Byers, published by ICA/Boston, 2016
  • _Yoko Ono: One Woman Show, 1960–1971_, softcover with slipcase, 260 pages, 8.5 × 11 in., edited by Christoph Cherix, published by MoMA, 2014
  • *The Quick and the Dead*, hardcover, 352 pages, 7 × 9.5 in., edited by Peter Eleey, published by the Walker Art Center, 2009
  • *Thinking Through Soil: Wastewater Agriculture in the Mezquital Valley*, softcover, 232 pages, 7.5 × 10 in., written by Montserrat Bonvehi Rosich and Seth Denizen, published by Harvard Design Press, Harvard University Graduate School of Design, 2025. Design assistance by Willis Kingery
  • Variable logo examples, Harvard University Graduate School of Design, 2022
  • End of year exhibition, Harvard University Graduate School of Design, 2024. Photo by Justin Knight
  • Commencement ceremony brochures, Harvard University Graduate School of Design, 2024
  • Business card, Harvard University Graduate School of Design, 2022
  • Room signage system using GSD Gothic, Harvard University Graduate School of Design, 2023. Typeface design by [Dinamo](https://abcdinamo.com/)
  • *Jacqueline Kiyomi Gork: Poems of Electronic Air*, ramp sign, Carpenter Center for the Visual Arts, Harvard University, 2024. Photo by Willis Kingery
  • *B. Ingrid Olson: History Mother, Little Sister* and *Candice Lin: Seeping, Rotting, Resting, Weeping*, postcards, Carpenter Center for the Visual Arts, Harvard University, 2022
  • *Jacqueline Kiyomi Gork: Poems of Electronic Air*, postcard, Carpenter Center for the Visual Arts, Harvard University, 2024
  • *Jacqueline Kiyomi Gork: Poems of Electronic Air*, exhibition signage, Carpenter Center for the Visual Arts, Harvard University, 2024
  • *Tony Cokes: If UR Reading This it’s 2 Late: Vol. 2*, gallery guide, Carpenter Center for the Visual Arts, Harvard University, 2020
  • GSD Gothic typesetting with identity grid system, Harvard University Graduate School of Design, 2022. Typeface design by [Dinamo](https://abcdinamo.com/)
  • Stationary system, Harvard University Graduate School of Design, 2022
  • Compliment card, Harvard University Graduate School of Design, 2022
  • *This Machine Creates Opacities: Robert Fulton, Renée Green, Pierre Huyghe, and Pope.L*, ramp sign, Carpenter Center for the Visual Arts, Harvard University, 2023
  • *This Machine Creates Opacities: Robert Fulton, Renée Green, Pierre Huyghe, and Pope.L*, postcards, Carpenter Center for the Visual Arts, Harvard University, 2023
  • Carpenter typeface, Carpenter Center for the Visual Arts, Harvard University, 2018
  • Carpenter Display typeface, Carpenter Center for the Visual Arts, Harvard University, 2019–2024
  • Public programs digital campaign, Carpenter Center for the Visual Arts, Harvard University, 2022
  • Buttons, Harvard University Graduate School of Design, 2023
  • Frances Loeb Library bookmarks, Harvard University Graduate School of Design, 2024. Design by Willis Kingery
  • GSD branded packing tape, Harvard University Graduate School of Design, 2023
  • *In Conversation, 2020–2021: Dialogues, with Artists, Curators, and Scholars*, softcover, 172 pages, 9 × 11.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • *In Conversation, 2020–2021: Dialogues, with Artists, Curators, and Scholars*, softcover, 172 pages, 9 × 11.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • *John Andrews: Architect of Uncommon Sense*, softcover, 506 pages, 6.75 × 8.125 in., edited by Paul Walker, published by Harvard Design Press, Harvard University Graduate School of Design, 2023. Design assistance and custom typeface by Willis Kingery
  • *John Andrews: Architect of Uncommon Sense*, softcover, 506 pages, 6.75 × 8.125 in., edited by Paul Walker, published by Harvard Design Press, Harvard University Graduate School of Design, 2023. Design assistance and custom typeface by Willis Kingery
  • *John Andrews: Architect of Uncommon Sense*, gallery view, Harvard University Graduate School of Design, 2022. Photo by Justin Knight
  • *John Andrews: Architect of Uncommon Sense*, gallery view, Harvard University Graduate School of Design, 2022. Photos by Justin Knight
  • *B. Ingrid Olson: History Mother, Little Sister*, softcover, 155 pages, 8.25 × 10.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • *B. Ingrid Olson: History Mother, Little Sister*, softcover, 155 pages, 8.25 × 10.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • Harvard University Graduate School of Design, end of year exhibition, studios & seminars, title wall, 2023
  • Harvard University Graduate School of Design, end of year exhibition, prize winners / commencement, title walls, 2023
  • *In Conversation* series, softcover, 4.25 × 5.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2020–22
  • *In Conversation* series, softcover, 4.25 × 5.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2020–22
  • *Pacing: Renée Green*, softcover with jacket, 300 pages, 9 × 11.75 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, 2020
  • *Pacing: Renée Green*, softcover with jacket, 300 pages, 9 × 11.75 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, 2020
  • *Interrogative Design: Selected Works of Krzysztof Wodiczko*, gallery view, Harvard University Graduate School of Design, 2021
  • *Interrogative Design: Selected Works of Krzysztof Wodiczko*, gallery view, Harvard University Graduate School of Design, 2021
  • *Candice Lin: Seeping, Rotting, Resting, Weeping*, softcover with punch binding, 168 pages, 9 × 12 in., edited by Dan Byers and Victoria Sung, published by Carpenter Center for the Visual Arts and Walker Art Center, 2021
  • Poster Kiosk, Carpenter Center for the Visual Arts, Harvard University, 2021
  • *Ericka Beckman: Double Reverse*, softcover with jacket, 104 pages, 8 × 10 in., edited by Henriette Huldisch, published by MIT List Visual Arts Center, 2020
  • *Architecture Itself: and Other Postmodernist Myths*, exhibition banner, Canadian Center for Architecture, Montreal, 2018
  • *Landlord Colors: On Art, Economy, and Materiality*, hardcover, 268 pages, 7.5 × 10.8 in., edited by Laura Mott, published by Cranbrook Art Museum, 2019
  • *Fox* typeface, detail from *The Quick and the Dead*, hardcover, 352 pages, 7 × 9.5 in., edited by Peter Eleey, published by the Walker Art Center, 2009
  • *Introducing Tony Conrad: A Retrospective*, title wall, Carpenter Center for the Visual Arts, Harvard University, 2018
  • *Tony Cokes: If UR Reading This it’s 2 Late: Vol. 2*, postcard, Carpenter Center for the Visual Arts, Harvard University, 2020
  • *The Artist’s Museum*, hardcover, 256 pages, 8.5 × 11.5 in., edited by Dan Byers, published by the Institute of Contemporary Art/Boston, 2016
  • 2020 Talks, website design and programming, 2020
  • *Jeff Koons: A Retrospective*, hardover with jacket, 288 pages, 9.6 × 12.3 in., edited by Scott Rothkopf, published by the Whitney Museum of American Art, 2014
  • PPI / Pounds Per Image / Pratt Photography Imprint, identity, 2019
  • *PPI #3*, softcover, 32 pages, 6.75 × 9.75 in., edited by Shannon Ebner, published by Pratt Photography Imprint and Dancing Foxes, 2021
  • *PPI #2*, softcover with copper metallic ink, 32 pages, 6.75 × 9.75 in., edited by Shannon Ebner, published by Pratt Photography Imprint and Dancing Foxes, 2020
  • *PPI #1*, softcover with debossed image, 32 pages, 6.75 × 9.75 in., edited by Shannon Ebner, published by Pratt Photography Imprint and Dancing Foxes, 2019
  • *Anna Oppermann: Drawings*, softcover, 112 pages, 8.5 × 13.5 in., edited by Dan Byers, published by Inventory Press, 2020
  • *2013 Carnegie International*, title wall and signage, Carnegie Museum of Art, Pittsburgh, 2013
  • *Maurizio Cattelan: All*, as seen in the Netflix series *Master of None*, season 2 episode 1
  • *Maurizio Cattelan: All*, hardcover, 255 pages, 7 × 9.8 in., edited by Nancy Spector, published by Guggenheim Museum, New York, 2011
  • *Walker Expanded*, identity, Walker Art Center, Minneapolis, 2005
  • Icon treatment, *SPAN* 2015, Google Material Design, New York, 2015
  • *SPAN*, softcover with heat embossed sleeve, 172 pages, 5.75 × 8.25 in., edited by Rob Giampietro and Amber Bravo, published by Google, 2015
  • *Knight’s Move*, softcover, 164 pages, 4.8 × 7.6 in., published by SculptureCenter, New York, 2010
  • Receiving Doors, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Agnes Denes: Absolutes and Intermediates*, hardcover with slipcase, 384 pages, 9.5 × 12.2 in., edited by Emma Enderby, published by The Shed, 2019
  • *Agnes Denes: Absolutes and Intermediates*, hardcover with slipcase, 384 pages, 9.5 × 12.2 in., edited by Emma Enderby, published by The Shed, 2019
  • *Architecture and Its Orbits*, poster, 20.25 × 20.25 in., MIT Department of Architecture, 2015
  • _Dia Fall Night_, invitation to Dia Art Foundation’s Fall Gala, 2012
  • *Architecture Itself: and Other Postmodernist Myths*, title wall, Canadian Center for Architecture, Montreal, 2018
  • *Lara Favaretto Ageing Process*, softcover, 344 pages, 6.6 × 9.3 inches, edited by Lara Favaretto, published by MAXXI Museum, Rome, 2016
  • Business Cards, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Boris Groys, Particular Cases*, softcover, 296 pages, 5.2 × 8 in., published by Sternberg Press, Berlin, 2017
  • *Museum Memories*, softcover, 36 pages, 4.25 × 11 in., edited by Claire Barliant and Katarina Burin, self published, 2020
  • *Museum Memories*, softcover, 36 pages, 4.25 × 11 in., edited by Claire Barliant and Katarina Burin, self published, 2020
  • *Gabriel Kuri: Nobody Needs to Know the Price of your Saab*, softcover, 130 pages, 7.2 × 10.5 in., edited by Claudia Schmuckli, published by the Blaffer Art Museum, 2011
  • *Tony Cokes: If UR Reading This it’s 2 Late: Vol. 2*, title wall, Carpenter Center for the Visual Arts, Harvard University, 2020
  • *Danh Vo: Take My Breath Away*, hardcover with jacket, 348 pages, 9 × 12 in., edited by Katherine Brinson, published by Guggenheim Museum, New York, 2018
  • *Danh Vo: Take My Breath Away*, hardcover with jacket, 348 pages, 9 × 12 in., edited by Katherine Brinson, published by Guggenheim Museum, New York, 2018
  • 1-2-3-4-5, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Paul Chan: New New Testament*, hardcover, 1,082 pages, 8 × 11.8 in., edited by Karen Marta, published by Schaulager, Basel, 2014
  • *Paul Chan: New New Testament*, hardcover, 1,082 pages, 8 × 11.8 in., edited by Karen Marta, published by Schaulager, Basel, 2014
  • 2020 Talks, website design and programming, 2020
  • *2013 Carnegie International Identity Guide*, softcover, 18 pages, 11 × 17 in., self published, 2013
  • *Architecture Itself: and Other Postmodernist Myths*, posters, Canadian Center for Architecture, Montreal, 2018
  • Exhibition Directionals, *2013 Carnegie International*, Carnegie Museum of Art, Pittsburgh, 2013
  • 2020 Talks Posters: Fertility, Redress, Channeling, Friendship
  • *In the Holocene*, softcover with jacket, 380 pages, 5.1 × 7.8 in., edited by Joao Ribas, published by Sternberg Press, Berlin, 2013
  • Tote Bags, Carpenter Center for the Visual Arts, Harvard University, 2018–19
  • efa Project Space, _A Wicked Problem_, poster, 8.5 × 11 in., newsprint, 2014; _As We Were Saying_, broadsheet, 9 × 12 in., newsprint, 2015
  • *Liz Magor: Blowout*, gallery guide, Carpenter Center for the Visual Arts, Harvard Unviersity, 2019
  • *The Everywhere Studio*, hardcover, 288 pages, 9.06 × 11.56 in., edited by Alex Gartenfeld, published by ICA, Miami, 2018
  • *The Everywhere Studio*, hardcover, 288 pages, 9.06 × 11.56 in., edited by Alex Gartenfeld, published by ICA, Miami, 2018
  • *Jonathan Berger: An Introduction to Nameless Love*, title wall, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Architecture Itself: and Other Postmodernist Myths*, gallery views, Canadian Center for Architecture, Montreal, 2018
  • Fox Typeface
  • Fox Typeface, alternative characters
  • *2013 Carnegie International Identity Guide*, softcover, 18 pages, 11 × 17 in., self published, 2013
  • *September 11*, softcover, 248 pages, 9.6 × 13.2 in., edited by Peter Eleey, published by MoMA PS1, 2011
  • *Jonathan Berger: An Introduction to Nameless Love*, postcard, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Geoffrey Farmer*, softcover, 64 pages, 7.75 × 10.75 in., edited by Dan Byers, published by ICA/Boston, 2016
  • _Yoko Ono: One Woman Show, 1960–1971_, softcover with slipcase, 260 pages, 8.5 × 11 in., edited by Christoph Cherix, published by MoMA, 2014
  • *The Quick and the Dead*, hardcover, 352 pages, 7 × 9.5 in., edited by Peter Eleey, published by the Walker Art Center, 2009
  • *Thinking Through Soil: Wastewater Agriculture in the Mezquital Valley*, softcover, 232 pages, 7.5 × 10 in., written by Montserrat Bonvehi Rosich and Seth Denizen, published by Harvard Design Press, Harvard University Graduate School of Design, 2025. Design assistance by Willis Kingery
  • Variable logo examples, Harvard University Graduate School of Design, 2022
  • End of year exhibition, Harvard University Graduate School of Design, 2024. Photo by Justin Knight
  • Commencement ceremony brochures, Harvard University Graduate School of Design, 2024
  • Business card, Harvard University Graduate School of Design, 2022
  • Room signage system using GSD Gothic, Harvard University Graduate School of Design, 2023. Typeface design by [Dinamo](https://abcdinamo.com/)
  • *Jacqueline Kiyomi Gork: Poems of Electronic Air*, ramp sign, Carpenter Center for the Visual Arts, Harvard University, 2024. Photo by Willis Kingery
  • *B. Ingrid Olson: History Mother, Little Sister* and *Candice Lin: Seeping, Rotting, Resting, Weeping*, postcards, Carpenter Center for the Visual Arts, Harvard University, 2022
  • *Jacqueline Kiyomi Gork: Poems of Electronic Air*, postcard, Carpenter Center for the Visual Arts, Harvard University, 2024
  • *Jacqueline Kiyomi Gork: Poems of Electronic Air*, exhibition signage, Carpenter Center for the Visual Arts, Harvard University, 2024
  • *Tony Cokes: If UR Reading This it’s 2 Late: Vol. 2*, gallery guide, Carpenter Center for the Visual Arts, Harvard University, 2020
  • GSD Gothic typesetting with identity grid system, Harvard University Graduate School of Design, 2022. Typeface design by [Dinamo](https://abcdinamo.com/)
  • Stationary system, Harvard University Graduate School of Design, 2022
  • Compliment card, Harvard University Graduate School of Design, 2022
  • *This Machine Creates Opacities: Robert Fulton, Renée Green, Pierre Huyghe, and Pope.L*, ramp sign, Carpenter Center for the Visual Arts, Harvard University, 2023
  • *This Machine Creates Opacities: Robert Fulton, Renée Green, Pierre Huyghe, and Pope.L*, postcards, Carpenter Center for the Visual Arts, Harvard University, 2023
  • Carpenter typeface, Carpenter Center for the Visual Arts, Harvard University, 2018
  • Carpenter Display typeface, Carpenter Center for the Visual Arts, Harvard University, 2019–2024
  • Public programs digital campaign, Carpenter Center for the Visual Arts, Harvard University, 2022
  • Buttons, Harvard University Graduate School of Design, 2023
  • Frances Loeb Library bookmarks, Harvard University Graduate School of Design, 2024. Design by Willis Kingery
  • GSD branded packing tape, Harvard University Graduate School of Design, 2023
  • *In Conversation, 2020–2021: Dialogues, with Artists, Curators, and Scholars*, softcover, 172 pages, 9 × 11.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • *In Conversation, 2020–2021: Dialogues, with Artists, Curators, and Scholars*, softcover, 172 pages, 9 × 11.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • *John Andrews: Architect of Uncommon Sense*, softcover, 506 pages, 6.75 × 8.125 in., edited by Paul Walker, published by Harvard Design Press, Harvard University Graduate School of Design, 2023. Design assistance and custom typeface by Willis Kingery
  • *John Andrews: Architect of Uncommon Sense*, softcover, 506 pages, 6.75 × 8.125 in., edited by Paul Walker, published by Harvard Design Press, Harvard University Graduate School of Design, 2023. Design assistance and custom typeface by Willis Kingery
  • *John Andrews: Architect of Uncommon Sense*, gallery view, Harvard University Graduate School of Design, 2022. Photo by Justin Knight
  • *John Andrews: Architect of Uncommon Sense*, gallery view, Harvard University Graduate School of Design, 2022. Photos by Justin Knight
  • *B. Ingrid Olson: History Mother, Little Sister*, softcover, 155 pages, 8.25 × 10.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • *B. Ingrid Olson: History Mother, Little Sister*, softcover, 155 pages, 8.25 × 10.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • Harvard University Graduate School of Design, end of year exhibition, studios & seminars, title wall, 2023
  • Harvard University Graduate School of Design, end of year exhibition, prize winners / commencement, title walls, 2023
  • *In Conversation* series, softcover, 4.25 × 5.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2020–22
  • *In Conversation* series, softcover, 4.25 × 5.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2020–22
  • *Pacing: Renée Green*, softcover with jacket, 300 pages, 9 × 11.75 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, 2020
  • *Pacing: Renée Green*, softcover with jacket, 300 pages, 9 × 11.75 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, 2020
  • *Interrogative Design: Selected Works of Krzysztof Wodiczko*, gallery view, Harvard University Graduate School of Design, 2021
  • *Interrogative Design: Selected Works of Krzysztof Wodiczko*, gallery view, Harvard University Graduate School of Design, 2021
  • *Candice Lin: Seeping, Rotting, Resting, Weeping*, softcover with punch binding, 168 pages, 9 × 12 in., edited by Dan Byers and Victoria Sung, published by Carpenter Center for the Visual Arts and Walker Art Center, 2021
  • Poster Kiosk, Carpenter Center for the Visual Arts, Harvard University, 2021
  • *Ericka Beckman: Double Reverse*, softcover with jacket, 104 pages, 8 × 10 in., edited by Henriette Huldisch, published by MIT List Visual Arts Center, 2020
  • *Architecture Itself: and Other Postmodernist Myths*, exhibition banner, Canadian Center for Architecture, Montreal, 2018
  • *Landlord Colors: On Art, Economy, and Materiality*, hardcover, 268 pages, 7.5 × 10.8 in., edited by Laura Mott, published by Cranbrook Art Museum, 2019
  • *Fox* typeface, detail from *The Quick and the Dead*, hardcover, 352 pages, 7 × 9.5 in., edited by Peter Eleey, published by the Walker Art Center, 2009
  • *Introducing Tony Conrad: A Retrospective*, title wall, Carpenter Center for the Visual Arts, Harvard University, 2018
  • *Tony Cokes: If UR Reading This it’s 2 Late: Vol. 2*, postcard, Carpenter Center for the Visual Arts, Harvard University, 2020
  • *The Artist’s Museum*, hardcover, 256 pages, 8.5 × 11.5 in., edited by Dan Byers, published by the Institute of Contemporary Art/Boston, 2016
  • 2020 Talks, website design and programming, 2020
  • *Jeff Koons: A Retrospective*, hardover with jacket, 288 pages, 9.6 × 12.3 in., edited by Scott Rothkopf, published by the Whitney Museum of American Art, 2014
  • PPI / Pounds Per Image / Pratt Photography Imprint, identity, 2019
  • *PPI #3*, softcover, 32 pages, 6.75 × 9.75 in., edited by Shannon Ebner, published by Pratt Photography Imprint and Dancing Foxes, 2021
  • *PPI #2*, softcover with copper metallic ink, 32 pages, 6.75 × 9.75 in., edited by Shannon Ebner, published by Pratt Photography Imprint and Dancing Foxes, 2020
  • *PPI #1*, softcover with debossed image, 32 pages, 6.75 × 9.75 in., edited by Shannon Ebner, published by Pratt Photography Imprint and Dancing Foxes, 2019
  • *Anna Oppermann: Drawings*, softcover, 112 pages, 8.5 × 13.5 in., edited by Dan Byers, published by Inventory Press, 2020
  • *2013 Carnegie International*, title wall and signage, Carnegie Museum of Art, Pittsburgh, 2013
  • *Maurizio Cattelan: All*, as seen in the Netflix series *Master of None*, season 2 episode 1
  • *Maurizio Cattelan: All*, hardcover, 255 pages, 7 × 9.8 in., edited by Nancy Spector, published by Guggenheim Museum, New York, 2011
  • *Walker Expanded*, identity, Walker Art Center, Minneapolis, 2005
  • Icon treatment, *SPAN* 2015, Google Material Design, New York, 2015
  • *SPAN*, softcover with heat embossed sleeve, 172 pages, 5.75 × 8.25 in., edited by Rob Giampietro and Amber Bravo, published by Google, 2015
  • *Knight’s Move*, softcover, 164 pages, 4.8 × 7.6 in., published by SculptureCenter, New York, 2010
  • Receiving Doors, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Agnes Denes: Absolutes and Intermediates*, hardcover with slipcase, 384 pages, 9.5 × 12.2 in., edited by Emma Enderby, published by The Shed, 2019
  • *Agnes Denes: Absolutes and Intermediates*, hardcover with slipcase, 384 pages, 9.5 × 12.2 in., edited by Emma Enderby, published by The Shed, 2019
  • *Architecture and Its Orbits*, poster, 20.25 × 20.25 in., MIT Department of Architecture, 2015
  • _Dia Fall Night_, invitation to Dia Art Foundation’s Fall Gala, 2012
  • *Architecture Itself: and Other Postmodernist Myths*, title wall, Canadian Center for Architecture, Montreal, 2018
  • *Lara Favaretto Ageing Process*, softcover, 344 pages, 6.6 × 9.3 inches, edited by Lara Favaretto, published by MAXXI Museum, Rome, 2016
  • Business Cards, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Boris Groys, Particular Cases*, softcover, 296 pages, 5.2 × 8 in., published by Sternberg Press, Berlin, 2017
  • *Museum Memories*, softcover, 36 pages, 4.25 × 11 in., edited by Claire Barliant and Katarina Burin, self published, 2020
  • *Museum Memories*, softcover, 36 pages, 4.25 × 11 in., edited by Claire Barliant and Katarina Burin, self published, 2020
  • *Gabriel Kuri: Nobody Needs to Know the Price of your Saab*, softcover, 130 pages, 7.2 × 10.5 in., edited by Claudia Schmuckli, published by the Blaffer Art Museum, 2011
  • *Tony Cokes: If UR Reading This it’s 2 Late: Vol. 2*, title wall, Carpenter Center for the Visual Arts, Harvard University, 2020
  • *Danh Vo: Take My Breath Away*, hardcover with jacket, 348 pages, 9 × 12 in., edited by Katherine Brinson, published by Guggenheim Museum, New York, 2018
  • *Danh Vo: Take My Breath Away*, hardcover with jacket, 348 pages, 9 × 12 in., edited by Katherine Brinson, published by Guggenheim Museum, New York, 2018
  • 1-2-3-4-5, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Paul Chan: New New Testament*, hardcover, 1,082 pages, 8 × 11.8 in., edited by Karen Marta, published by Schaulager, Basel, 2014
  • *Paul Chan: New New Testament*, hardcover, 1,082 pages, 8 × 11.8 in., edited by Karen Marta, published by Schaulager, Basel, 2014
  • 2020 Talks, website design and programming, 2020
  • *2013 Carnegie International Identity Guide*, softcover, 18 pages, 11 × 17 in., self published, 2013
  • *Architecture Itself: and Other Postmodernist Myths*, posters, Canadian Center for Architecture, Montreal, 2018
  • Exhibition Directionals, *2013 Carnegie International*, Carnegie Museum of Art, Pittsburgh, 2013
  • 2020 Talks Posters: Fertility, Redress, Channeling, Friendship
  • *In the Holocene*, softcover with jacket, 380 pages, 5.1 × 7.8 in., edited by Joao Ribas, published by Sternberg Press, Berlin, 2013
  • Tote Bags, Carpenter Center for the Visual Arts, Harvard University, 2018–19
  • efa Project Space, _A Wicked Problem_, poster, 8.5 × 11 in., newsprint, 2014; _As We Were Saying_, broadsheet, 9 × 12 in., newsprint, 2015
  • *Liz Magor: Blowout*, gallery guide, Carpenter Center for the Visual Arts, Harvard Unviersity, 2019
  • *The Everywhere Studio*, hardcover, 288 pages, 9.06 × 11.56 in., edited by Alex Gartenfeld, published by ICA, Miami, 2018
  • *The Everywhere Studio*, hardcover, 288 pages, 9.06 × 11.56 in., edited by Alex Gartenfeld, published by ICA, Miami, 2018
  • *Jonathan Berger: An Introduction to Nameless Love*, title wall, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Architecture Itself: and Other Postmodernist Myths*, gallery views, Canadian Center for Architecture, Montreal, 2018
  • Fox Typeface
  • Fox Typeface, alternative characters
  • *2013 Carnegie International Identity Guide*, softcover, 18 pages, 11 × 17 in., self published, 2013
  • *September 11*, softcover, 248 pages, 9.6 × 13.2 in., edited by Peter Eleey, published by MoMA PS1, 2011
  • *Jonathan Berger: An Introduction to Nameless Love*, postcard, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Geoffrey Farmer*, softcover, 64 pages, 7.75 × 10.75 in., edited by Dan Byers, published by ICA/Boston, 2016
  • _Yoko Ono: One Woman Show, 1960–1971_, softcover with slipcase, 260 pages, 8.5 × 11 in., edited by Christoph Cherix, published by MoMA, 2014
  • *The Quick and the Dead*, hardcover, 352 pages, 7 × 9.5 in., edited by Peter Eleey, published by the Walker Art Center, 2009
  • *Thinking Through Soil: Wastewater Agriculture in the Mezquital Valley*, softcover, 232 pages, 7.5 × 10 in., written by Montserrat Bonvehi Rosich and Seth Denizen, published by Harvard Design Press, Harvard University Graduate School of Design, 2025. Design assistance by Willis Kingery
  • Variable logo examples, Harvard University Graduate School of Design, 2022
  • End of year exhibition, Harvard University Graduate School of Design, 2024. Photo by Justin Knight
  • Commencement ceremony brochures, Harvard University Graduate School of Design, 2024
  • Business card, Harvard University Graduate School of Design, 2022
  • Room signage system using GSD Gothic, Harvard University Graduate School of Design, 2023. Typeface design by [Dinamo](https://abcdinamo.com/)
  • *Jacqueline Kiyomi Gork: Poems of Electronic Air*, ramp sign, Carpenter Center for the Visual Arts, Harvard University, 2024. Photo by Willis Kingery
  • *B. Ingrid Olson: History Mother, Little Sister* and *Candice Lin: Seeping, Rotting, Resting, Weeping*, postcards, Carpenter Center for the Visual Arts, Harvard University, 2022
  • *Jacqueline Kiyomi Gork: Poems of Electronic Air*, postcard, Carpenter Center for the Visual Arts, Harvard University, 2024
  • *Jacqueline Kiyomi Gork: Poems of Electronic Air*, exhibition signage, Carpenter Center for the Visual Arts, Harvard University, 2024
  • *Tony Cokes: If UR Reading This it’s 2 Late: Vol. 2*, gallery guide, Carpenter Center for the Visual Arts, Harvard University, 2020
  • GSD Gothic typesetting with identity grid system, Harvard University Graduate School of Design, 2022. Typeface design by [Dinamo](https://abcdinamo.com/)
  • Stationary system, Harvard University Graduate School of Design, 2022
  • Compliment card, Harvard University Graduate School of Design, 2022
  • *This Machine Creates Opacities: Robert Fulton, Renée Green, Pierre Huyghe, and Pope.L*, ramp sign, Carpenter Center for the Visual Arts, Harvard University, 2023
  • *This Machine Creates Opacities: Robert Fulton, Renée Green, Pierre Huyghe, and Pope.L*, postcards, Carpenter Center for the Visual Arts, Harvard University, 2023
  • Carpenter typeface, Carpenter Center for the Visual Arts, Harvard University, 2018
  • Carpenter Display typeface, Carpenter Center for the Visual Arts, Harvard University, 2019–2024
  • Public programs digital campaign, Carpenter Center for the Visual Arts, Harvard University, 2022
  • Buttons, Harvard University Graduate School of Design, 2023
  • Frances Loeb Library bookmarks, Harvard University Graduate School of Design, 2024. Design by Willis Kingery
  • GSD branded packing tape, Harvard University Graduate School of Design, 2023
  • *In Conversation, 2020–2021: Dialogues, with Artists, Curators, and Scholars*, softcover, 172 pages, 9 × 11.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • *In Conversation, 2020–2021: Dialogues, with Artists, Curators, and Scholars*, softcover, 172 pages, 9 × 11.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • *John Andrews: Architect of Uncommon Sense*, softcover, 506 pages, 6.75 × 8.125 in., edited by Paul Walker, published by Harvard Design Press, Harvard University Graduate School of Design, 2023. Design assistance and custom typeface by Willis Kingery
  • *John Andrews: Architect of Uncommon Sense*, softcover, 506 pages, 6.75 × 8.125 in., edited by Paul Walker, published by Harvard Design Press, Harvard University Graduate School of Design, 2023. Design assistance and custom typeface by Willis Kingery
  • *John Andrews: Architect of Uncommon Sense*, gallery view, Harvard University Graduate School of Design, 2022. Photo by Justin Knight
  • *John Andrews: Architect of Uncommon Sense*, gallery view, Harvard University Graduate School of Design, 2022. Photos by Justin Knight
  • *B. Ingrid Olson: History Mother, Little Sister*, softcover, 155 pages, 8.25 × 10.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • *B. Ingrid Olson: History Mother, Little Sister*, softcover, 155 pages, 8.25 × 10.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • Harvard University Graduate School of Design, end of year exhibition, studios & seminars, title wall, 2023
  • Harvard University Graduate School of Design, end of year exhibition, prize winners / commencement, title walls, 2023
  • *In Conversation* series, softcover, 4.25 × 5.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2020–22
  • *In Conversation* series, softcover, 4.25 × 5.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2020–22
  • *Pacing: Renée Green*, softcover with jacket, 300 pages, 9 × 11.75 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, 2020
  • *Pacing: Renée Green*, softcover with jacket, 300 pages, 9 × 11.75 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, 2020
  • *Interrogative Design: Selected Works of Krzysztof Wodiczko*, gallery view, Harvard University Graduate School of Design, 2021
  • *Interrogative Design: Selected Works of Krzysztof Wodiczko*, gallery view, Harvard University Graduate School of Design, 2021
  • *Candice Lin: Seeping, Rotting, Resting, Weeping*, softcover with punch binding, 168 pages, 9 × 12 in., edited by Dan Byers and Victoria Sung, published by Carpenter Center for the Visual Arts and Walker Art Center, 2021
  • Poster Kiosk, Carpenter Center for the Visual Arts, Harvard University, 2021
  • *Ericka Beckman: Double Reverse*, softcover with jacket, 104 pages, 8 × 10 in., edited by Henriette Huldisch, published by MIT List Visual Arts Center, 2020
  • *Architecture Itself: and Other Postmodernist Myths*, exhibition banner, Canadian Center for Architecture, Montreal, 2018
  • *Landlord Colors: On Art, Economy, and Materiality*, hardcover, 268 pages, 7.5 × 10.8 in., edited by Laura Mott, published by Cranbrook Art Museum, 2019
  • *Fox* typeface, detail from *The Quick and the Dead*, hardcover, 352 pages, 7 × 9.5 in., edited by Peter Eleey, published by the Walker Art Center, 2009
  • *Introducing Tony Conrad: A Retrospective*, title wall, Carpenter Center for the Visual Arts, Harvard University, 2018
  • *Tony Cokes: If UR Reading This it’s 2 Late: Vol. 2*, postcard, Carpenter Center for the Visual Arts, Harvard University, 2020
  • *The Artist’s Museum*, hardcover, 256 pages, 8.5 × 11.5 in., edited by Dan Byers, published by the Institute of Contemporary Art/Boston, 2016
  • 2020 Talks, website design and programming, 2020
  • *Jeff Koons: A Retrospective*, hardover with jacket, 288 pages, 9.6 × 12.3 in., edited by Scott Rothkopf, published by the Whitney Museum of American Art, 2014
  • PPI / Pounds Per Image / Pratt Photography Imprint, identity, 2019
  • *PPI #3*, softcover, 32 pages, 6.75 × 9.75 in., edited by Shannon Ebner, published by Pratt Photography Imprint and Dancing Foxes, 2021
  • *PPI #2*, softcover with copper metallic ink, 32 pages, 6.75 × 9.75 in., edited by Shannon Ebner, published by Pratt Photography Imprint and Dancing Foxes, 2020
  • *PPI #1*, softcover with debossed image, 32 pages, 6.75 × 9.75 in., edited by Shannon Ebner, published by Pratt Photography Imprint and Dancing Foxes, 2019
  • *Anna Oppermann: Drawings*, softcover, 112 pages, 8.5 × 13.5 in., edited by Dan Byers, published by Inventory Press, 2020
  • *2013 Carnegie International*, title wall and signage, Carnegie Museum of Art, Pittsburgh, 2013
  • *Maurizio Cattelan: All*, as seen in the Netflix series *Master of None*, season 2 episode 1
  • *Maurizio Cattelan: All*, hardcover, 255 pages, 7 × 9.8 in., edited by Nancy Spector, published by Guggenheim Museum, New York, 2011
  • *Walker Expanded*, identity, Walker Art Center, Minneapolis, 2005
  • Icon treatment, *SPAN* 2015, Google Material Design, New York, 2015
  • *SPAN*, softcover with heat embossed sleeve, 172 pages, 5.75 × 8.25 in., edited by Rob Giampietro and Amber Bravo, published by Google, 2015
  • *Knight’s Move*, softcover, 164 pages, 4.8 × 7.6 in., published by SculptureCenter, New York, 2010
  • Receiving Doors, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Agnes Denes: Absolutes and Intermediates*, hardcover with slipcase, 384 pages, 9.5 × 12.2 in., edited by Emma Enderby, published by The Shed, 2019
  • *Agnes Denes: Absolutes and Intermediates*, hardcover with slipcase, 384 pages, 9.5 × 12.2 in., edited by Emma Enderby, published by The Shed, 2019
  • *Architecture and Its Orbits*, poster, 20.25 × 20.25 in., MIT Department of Architecture, 2015
  • _Dia Fall Night_, invitation to Dia Art Foundation’s Fall Gala, 2012
  • *Architecture Itself: and Other Postmodernist Myths*, title wall, Canadian Center for Architecture, Montreal, 2018
  • *Lara Favaretto Ageing Process*, softcover, 344 pages, 6.6 × 9.3 inches, edited by Lara Favaretto, published by MAXXI Museum, Rome, 2016
  • Business Cards, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Boris Groys, Particular Cases*, softcover, 296 pages, 5.2 × 8 in., published by Sternberg Press, Berlin, 2017
  • *Museum Memories*, softcover, 36 pages, 4.25 × 11 in., edited by Claire Barliant and Katarina Burin, self published, 2020
  • *Museum Memories*, softcover, 36 pages, 4.25 × 11 in., edited by Claire Barliant and Katarina Burin, self published, 2020
  • *Gabriel Kuri: Nobody Needs to Know the Price of your Saab*, softcover, 130 pages, 7.2 × 10.5 in., edited by Claudia Schmuckli, published by the Blaffer Art Museum, 2011
  • *Tony Cokes: If UR Reading This it’s 2 Late: Vol. 2*, title wall, Carpenter Center for the Visual Arts, Harvard University, 2020
  • *Danh Vo: Take My Breath Away*, hardcover with jacket, 348 pages, 9 × 12 in., edited by Katherine Brinson, published by Guggenheim Museum, New York, 2018
  • *Danh Vo: Take My Breath Away*, hardcover with jacket, 348 pages, 9 × 12 in., edited by Katherine Brinson, published by Guggenheim Museum, New York, 2018
  • 1-2-3-4-5, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Paul Chan: New New Testament*, hardcover, 1,082 pages, 8 × 11.8 in., edited by Karen Marta, published by Schaulager, Basel, 2014
  • *Paul Chan: New New Testament*, hardcover, 1,082 pages, 8 × 11.8 in., edited by Karen Marta, published by Schaulager, Basel, 2014
  • 2020 Talks, website design and programming, 2020
  • *2013 Carnegie International Identity Guide*, softcover, 18 pages, 11 × 17 in., self published, 2013
  • *Architecture Itself: and Other Postmodernist Myths*, posters, Canadian Center for Architecture, Montreal, 2018
  • Exhibition Directionals, *2013 Carnegie International*, Carnegie Museum of Art, Pittsburgh, 2013
  • 2020 Talks Posters: Fertility, Redress, Channeling, Friendship
  • *In the Holocene*, softcover with jacket, 380 pages, 5.1 × 7.8 in., edited by Joao Ribas, published by Sternberg Press, Berlin, 2013
  • Tote Bags, Carpenter Center for the Visual Arts, Harvard University, 2018–19
  • efa Project Space, _A Wicked Problem_, poster, 8.5 × 11 in., newsprint, 2014; _As We Were Saying_, broadsheet, 9 × 12 in., newsprint, 2015
  • *Liz Magor: Blowout*, gallery guide, Carpenter Center for the Visual Arts, Harvard Unviersity, 2019
  • *The Everywhere Studio*, hardcover, 288 pages, 9.06 × 11.56 in., edited by Alex Gartenfeld, published by ICA, Miami, 2018
  • *The Everywhere Studio*, hardcover, 288 pages, 9.06 × 11.56 in., edited by Alex Gartenfeld, published by ICA, Miami, 2018
  • *Jonathan Berger: An Introduction to Nameless Love*, title wall, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Architecture Itself: and Other Postmodernist Myths*, gallery views, Canadian Center for Architecture, Montreal, 2018
  • Fox Typeface
  • Fox Typeface, alternative characters
  • *2013 Carnegie International Identity Guide*, softcover, 18 pages, 11 × 17 in., self published, 2013
  • *September 11*, softcover, 248 pages, 9.6 × 13.2 in., edited by Peter Eleey, published by MoMA PS1, 2011
  • *Jonathan Berger: An Introduction to Nameless Love*, postcard, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Geoffrey Farmer*, softcover, 64 pages, 7.75 × 10.75 in., edited by Dan Byers, published by ICA/Boston, 2016
  • _Yoko Ono: One Woman Show, 1960–1971_, softcover with slipcase, 260 pages, 8.5 × 11 in., edited by Christoph Cherix, published by MoMA, 2014
  • *The Quick and the Dead*, hardcover, 352 pages, 7 × 9.5 in., edited by Peter Eleey, published by the Walker Art Center, 2009
  • *Thinking Through Soil: Wastewater Agriculture in the Mezquital Valley*, softcover, 232 pages, 7.5 × 10 in., written by Montserrat Bonvehi Rosich and Seth Denizen, published by Harvard Design Press, Harvard University Graduate School of Design, 2025. Design assistance by Willis Kingery
  • Variable logo examples, Harvard University Graduate School of Design, 2022
  • End of year exhibition, Harvard University Graduate School of Design, 2024. Photo by Justin Knight
  • Commencement ceremony brochures, Harvard University Graduate School of Design, 2024
  • Business card, Harvard University Graduate School of Design, 2022
  • Room signage system using GSD Gothic, Harvard University Graduate School of Design, 2023. Typeface design by [Dinamo](https://abcdinamo.com/)
  • *Jacqueline Kiyomi Gork: Poems of Electronic Air*, ramp sign, Carpenter Center for the Visual Arts, Harvard University, 2024. Photo by Willis Kingery
  • *B. Ingrid Olson: History Mother, Little Sister* and *Candice Lin: Seeping, Rotting, Resting, Weeping*, postcards, Carpenter Center for the Visual Arts, Harvard University, 2022
  • *Jacqueline Kiyomi Gork: Poems of Electronic Air*, postcard, Carpenter Center for the Visual Arts, Harvard University, 2024
  • *Jacqueline Kiyomi Gork: Poems of Electronic Air*, exhibition signage, Carpenter Center for the Visual Arts, Harvard University, 2024
  • *Tony Cokes: If UR Reading This it’s 2 Late: Vol. 2*, gallery guide, Carpenter Center for the Visual Arts, Harvard University, 2020
  • GSD Gothic typesetting with identity grid system, Harvard University Graduate School of Design, 2022. Typeface design by [Dinamo](https://abcdinamo.com/)
  • Stationary system, Harvard University Graduate School of Design, 2022
  • Compliment card, Harvard University Graduate School of Design, 2022
  • *This Machine Creates Opacities: Robert Fulton, Renée Green, Pierre Huyghe, and Pope.L*, ramp sign, Carpenter Center for the Visual Arts, Harvard University, 2023
  • *This Machine Creates Opacities: Robert Fulton, Renée Green, Pierre Huyghe, and Pope.L*, postcards, Carpenter Center for the Visual Arts, Harvard University, 2023
  • Carpenter typeface, Carpenter Center for the Visual Arts, Harvard University, 2018
  • Carpenter Display typeface, Carpenter Center for the Visual Arts, Harvard University, 2019–2024
  • Public programs digital campaign, Carpenter Center for the Visual Arts, Harvard University, 2022
  • Buttons, Harvard University Graduate School of Design, 2023
  • Frances Loeb Library bookmarks, Harvard University Graduate School of Design, 2024. Design by Willis Kingery
  • GSD branded packing tape, Harvard University Graduate School of Design, 2023
  • *In Conversation, 2020–2021: Dialogues, with Artists, Curators, and Scholars*, softcover, 172 pages, 9 × 11.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • *In Conversation, 2020–2021: Dialogues, with Artists, Curators, and Scholars*, softcover, 172 pages, 9 × 11.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • *John Andrews: Architect of Uncommon Sense*, softcover, 506 pages, 6.75 × 8.125 in., edited by Paul Walker, published by Harvard Design Press, Harvard University Graduate School of Design, 2023. Design assistance and custom typeface by Willis Kingery
  • *John Andrews: Architect of Uncommon Sense*, softcover, 506 pages, 6.75 × 8.125 in., edited by Paul Walker, published by Harvard Design Press, Harvard University Graduate School of Design, 2023. Design assistance and custom typeface by Willis Kingery
  • *John Andrews: Architect of Uncommon Sense*, gallery view, Harvard University Graduate School of Design, 2022. Photo by Justin Knight
  • *John Andrews: Architect of Uncommon Sense*, gallery view, Harvard University Graduate School of Design, 2022. Photos by Justin Knight
  • *B. Ingrid Olson: History Mother, Little Sister*, softcover, 155 pages, 8.25 × 10.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • *B. Ingrid Olson: History Mother, Little Sister*, softcover, 155 pages, 8.25 × 10.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2023
  • Harvard University Graduate School of Design, end of year exhibition, studios & seminars, title wall, 2023
  • Harvard University Graduate School of Design, end of year exhibition, prize winners / commencement, title walls, 2023
  • *In Conversation* series, softcover, 4.25 × 5.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2020–22
  • *In Conversation* series, softcover, 4.25 × 5.5 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, Harvard University, 2020–22
  • *Pacing: Renée Green*, softcover with jacket, 300 pages, 9 × 11.75 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, 2020
  • *Pacing: Renée Green*, softcover with jacket, 300 pages, 9 × 11.75 in., edited by Dan Byers, published by Carpenter Center for the Visual Arts, 2020
  • *Interrogative Design: Selected Works of Krzysztof Wodiczko*, gallery view, Harvard University Graduate School of Design, 2021
  • *Interrogative Design: Selected Works of Krzysztof Wodiczko*, gallery view, Harvard University Graduate School of Design, 2021
  • *Candice Lin: Seeping, Rotting, Resting, Weeping*, softcover with punch binding, 168 pages, 9 × 12 in., edited by Dan Byers and Victoria Sung, published by Carpenter Center for the Visual Arts and Walker Art Center, 2021
  • Poster Kiosk, Carpenter Center for the Visual Arts, Harvard University, 2021
  • *Ericka Beckman: Double Reverse*, softcover with jacket, 104 pages, 8 × 10 in., edited by Henriette Huldisch, published by MIT List Visual Arts Center, 2020
  • *Architecture Itself: and Other Postmodernist Myths*, exhibition banner, Canadian Center for Architecture, Montreal, 2018
  • *Landlord Colors: On Art, Economy, and Materiality*, hardcover, 268 pages, 7.5 × 10.8 in., edited by Laura Mott, published by Cranbrook Art Museum, 2019
  • *Fox* typeface, detail from *The Quick and the Dead*, hardcover, 352 pages, 7 × 9.5 in., edited by Peter Eleey, published by the Walker Art Center, 2009
  • *Introducing Tony Conrad: A Retrospective*, title wall, Carpenter Center for the Visual Arts, Harvard University, 2018
  • *Tony Cokes: If UR Reading This it’s 2 Late: Vol. 2*, postcard, Carpenter Center for the Visual Arts, Harvard University, 2020
  • *The Artist’s Museum*, hardcover, 256 pages, 8.5 × 11.5 in., edited by Dan Byers, published by the Institute of Contemporary Art/Boston, 2016
  • 2020 Talks, website design and programming, 2020
  • *Jeff Koons: A Retrospective*, hardover with jacket, 288 pages, 9.6 × 12.3 in., edited by Scott Rothkopf, published by the Whitney Museum of American Art, 2014
  • PPI / Pounds Per Image / Pratt Photography Imprint, identity, 2019
  • *PPI #3*, softcover, 32 pages, 6.75 × 9.75 in., edited by Shannon Ebner, published by Pratt Photography Imprint and Dancing Foxes, 2021
  • *PPI #2*, softcover with copper metallic ink, 32 pages, 6.75 × 9.75 in., edited by Shannon Ebner, published by Pratt Photography Imprint and Dancing Foxes, 2020
  • *PPI #1*, softcover with debossed image, 32 pages, 6.75 × 9.75 in., edited by Shannon Ebner, published by Pratt Photography Imprint and Dancing Foxes, 2019
  • *Anna Oppermann: Drawings*, softcover, 112 pages, 8.5 × 13.5 in., edited by Dan Byers, published by Inventory Press, 2020
  • *2013 Carnegie International*, title wall and signage, Carnegie Museum of Art, Pittsburgh, 2013
  • *Maurizio Cattelan: All*, as seen in the Netflix series *Master of None*, season 2 episode 1
  • *Maurizio Cattelan: All*, hardcover, 255 pages, 7 × 9.8 in., edited by Nancy Spector, published by Guggenheim Museum, New York, 2011
  • *Walker Expanded*, identity, Walker Art Center, Minneapolis, 2005
  • Icon treatment, *SPAN* 2015, Google Material Design, New York, 2015
  • *SPAN*, softcover with heat embossed sleeve, 172 pages, 5.75 × 8.25 in., edited by Rob Giampietro and Amber Bravo, published by Google, 2015
  • *Knight’s Move*, softcover, 164 pages, 4.8 × 7.6 in., published by SculptureCenter, New York, 2010
  • Receiving Doors, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Agnes Denes: Absolutes and Intermediates*, hardcover with slipcase, 384 pages, 9.5 × 12.2 in., edited by Emma Enderby, published by The Shed, 2019
  • *Agnes Denes: Absolutes and Intermediates*, hardcover with slipcase, 384 pages, 9.5 × 12.2 in., edited by Emma Enderby, published by The Shed, 2019
  • *Architecture and Its Orbits*, poster, 20.25 × 20.25 in., MIT Department of Architecture, 2015
  • _Dia Fall Night_, invitation to Dia Art Foundation’s Fall Gala, 2012
  • *Architecture Itself: and Other Postmodernist Myths*, title wall, Canadian Center for Architecture, Montreal, 2018
  • *Lara Favaretto Ageing Process*, softcover, 344 pages, 6.6 × 9.3 inches, edited by Lara Favaretto, published by MAXXI Museum, Rome, 2016
  • Business Cards, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Boris Groys, Particular Cases*, softcover, 296 pages, 5.2 × 8 in., published by Sternberg Press, Berlin, 2017
  • *Museum Memories*, softcover, 36 pages, 4.25 × 11 in., edited by Claire Barliant and Katarina Burin, self published, 2020
  • *Museum Memories*, softcover, 36 pages, 4.25 × 11 in., edited by Claire Barliant and Katarina Burin, self published, 2020
  • *Gabriel Kuri: Nobody Needs to Know the Price of your Saab*, softcover, 130 pages, 7.2 × 10.5 in., edited by Claudia Schmuckli, published by the Blaffer Art Museum, 2011
  • *Tony Cokes: If UR Reading This it’s 2 Late: Vol. 2*, title wall, Carpenter Center for the Visual Arts, Harvard University, 2020
  • *Danh Vo: Take My Breath Away*, hardcover with jacket, 348 pages, 9 × 12 in., edited by Katherine Brinson, published by Guggenheim Museum, New York, 2018
  • *Danh Vo: Take My Breath Away*, hardcover with jacket, 348 pages, 9 × 12 in., edited by Katherine Brinson, published by Guggenheim Museum, New York, 2018
  • 1-2-3-4-5, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Paul Chan: New New Testament*, hardcover, 1,082 pages, 8 × 11.8 in., edited by Karen Marta, published by Schaulager, Basel, 2014
  • *Paul Chan: New New Testament*, hardcover, 1,082 pages, 8 × 11.8 in., edited by Karen Marta, published by Schaulager, Basel, 2014
  • 2020 Talks, website design and programming, 2020
  • *2013 Carnegie International Identity Guide*, softcover, 18 pages, 11 × 17 in., self published, 2013
  • *Architecture Itself: and Other Postmodernist Myths*, posters, Canadian Center for Architecture, Montreal, 2018
  • Exhibition Directionals, *2013 Carnegie International*, Carnegie Museum of Art, Pittsburgh, 2013
  • 2020 Talks Posters: Fertility, Redress, Channeling, Friendship
  • *In the Holocene*, softcover with jacket, 380 pages, 5.1 × 7.8 in., edited by Joao Ribas, published by Sternberg Press, Berlin, 2013
  • Tote Bags, Carpenter Center for the Visual Arts, Harvard University, 2018–19
  • efa Project Space, _A Wicked Problem_, poster, 8.5 × 11 in., newsprint, 2014; _As We Were Saying_, broadsheet, 9 × 12 in., newsprint, 2015
  • *Liz Magor: Blowout*, gallery guide, Carpenter Center for the Visual Arts, Harvard Unviersity, 2019
  • *The Everywhere Studio*, hardcover, 288 pages, 9.06 × 11.56 in., edited by Alex Gartenfeld, published by ICA, Miami, 2018
  • *The Everywhere Studio*, hardcover, 288 pages, 9.06 × 11.56 in., edited by Alex Gartenfeld, published by ICA, Miami, 2018
  • *Jonathan Berger: An Introduction to Nameless Love*, title wall, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Architecture Itself: and Other Postmodernist Myths*, gallery views, Canadian Center for Architecture, Montreal, 2018
  • Fox Typeface
  • Fox Typeface, alternative characters
  • *2013 Carnegie International Identity Guide*, softcover, 18 pages, 11 × 17 in., self published, 2013
  • *September 11*, softcover, 248 pages, 9.6 × 13.2 in., edited by Peter Eleey, published by MoMA PS1, 2011
  • *Jonathan Berger: An Introduction to Nameless Love*, postcard, Carpenter Center for the Visual Arts, Harvard University, 2019
  • *Geoffrey Farmer*, softcover, 64 pages, 7.75 × 10.75 in., edited by Dan Byers, published by ICA/Boston, 2016
  • _Yoko Ono: One Woman Show, 1960–1971_, softcover with slipcase, 260 pages, 8.5 × 11 in., edited by Christoph Cherix, published by MoMA, 2014
  • *The Quick and the Dead*, hardcover, 352 pages, 7 × 9.5 in., edited by Peter Eleey, published by the Walker Art Center, 2009